A Shot in the Dark

Last Friday my daughter had her 13th birthday party and at her request we brought a Polaroid camera. That Polaroid is going to discontinue making film has been much in the news lately, although less noticed is the fact that the company actually stopped making the cameras a year ago. It all seems to signify an end of an era as emotively as the passing of the Walkman or brick size mobile phones, but what I noticed in my brief moment as a tween party paparazzo, was how much the Polaroid camera specifically contributes to the event.

One of the things I’ve learned from working with The Sartorialist is how important the approach is. Make the right approach with your camera in front of you and you’re much more likely to get a good picture than if you suddenly whip it out. Bring out a Polaroid camera and everyone’s ready for fun! (And you're no longer the intruding parent, you're now just support staff.)

The other thing I noticed as I was pretty much shooting in the dark (you can’t see much through a viewfinder in dance light conditions) was how beautiful the randomness of the hastily grabbed moment is. It was the revelation of street photography that the chaos of everyday life was just as arresting as the compositional order of the decisive moment, but as always - getting to experience the progression of art historical aesthetic development through your own family snaps is always an unexpected pleasure!



After a quick burst of heavy use, the Polaroid gave up and so I switched to a digital, but I love the composition of the figures
(below) and the way the picture divides itself into the two groups.