Steven Cantor’s second film about Sally Mann (his first was an Oscar nominated short) was shot over five years and largely eschews the controversy about nudity and children to focus on the creation and aftermath of Mann’s photographic studies of death. An intimate and beautifully shot documentary, the film takes you deeply but unintrusively into Mann’s personal life and ends up as a study of the life of one of our most serious and talented photographers and the challenges even a renowned artist faces. Look out for: the story and pictures of Sally and husband Larry when they first met. The scene where Peter McGill calls up to cancel Sally’s scheduled show.
Thursday, December 20, 2007
Top Ten #3 – What Remains
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