As regular readers will know, one of my great pleasures is seeing memorable pictures in the New York Times, and this week brought some excellent ones. Above - and gracing the front page of Thursday's Arts section was this photograph by Nan Goldin (left) paired with an 1855 painting by Ary Scheffer from Goldin's new show at Matthew Marks - the result of Goldin being given free rein to browse The Louvre on the days it was closed to the public.
On a more serious note, Magnum newcomer Mark Zachmann photographed a boat carrying 158 Libyan refugees shortly before it was stopped by the Italian coastguard. (Italy has the closest European shore to Libya.) It has the gravitas and compositional power of a great history painting.
And lastly, this week's magazine picks up on this very blog - highlighting the Kenneth O Halloran's Irish Horse Festival photographs I ran last February. Just to let you know we're sometimes ahead of the curve!